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Programming with Grawlixes
Grawlixes; also known as #$&%, or %&$#?@!,Emanata, Obscenicons or Symbol- swearing pop up in cartoons when a character is expressing frustration, agitation or anger. Programming with Grawlixes is series of zines that are written around the idea that Grawlixes in cartoons and early so-called non-objective art stem from a common source In part 1 Grawlixes prove to be a special kind of non-objective abstract line- drawings. Programming with Grawlixes #1 PDF Part 2 reveals that Grawlixes are identical to some of the fundamental schematic patterns that are responsible for the structure of the cartoon itself. Programming with Grawlixes #2 PDF |
Part 3 compares the way Grawlixes appear in comics with some of the structures underlying modernist art,especially early abstract or so-called non-objective drawing. Programming with Grawlixes #3 PDF In conclusion, Part 4 takes a closer look at the historical relation between early modernist abstract art and comics with Grawlixes. Takes a first step towards applying game theory to cartoons with Grawlixes. Looks at Brain Functions in relation with Grawlixes. And also includes some pages on the meaning of time in cartoons with Grawlixes. Programming with Grawlixes #4 PDF Some of the implications of the theory of Grawlixes 1. The necessary urgency sometimes felt when cursing is similar to what Wassily Kandinsky discribes as 'inner necessity'. 2. The sequence of events leading up to Grawlixes resemble the core-problem of modernism, that is; the unexpected cut program is a consequence of inattentional blindness following the automatic reliance on an artificial program as-if it represents a universal law. 3. At the same time Grawlixes may be seen as evidence that the program of modernism is not completely obsolete. From a negative point of view Grawlixes are a rigid conservative reflex to an unexpected event. From a positive point of view Grawlixes are a progressive adventurous leap into the unknown, and the modernist program provided us with a structural tool for that leap. Nero, Mark Sleen (1983) related articles; the Euclidean Fly |
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zines, sounds, marc van elburg 016 |