Marc van Elburg
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wdrawdrawdrawdrawdrawdrawdrawdrawdr in the theory of embodied cognition a so- called 'image schema' is a recurring, dynamic pattern of motor programs and perceptual interactions. (1) for example when you draw a straight line between two points; the combination of the motor program that moves the hand and the spatial information from the eye are memorized as a single source-path-goal schema the structure of such a schema can also be used to reason about events and actions. in case of a source-path-goal schema a person might- reason towards a conclusion, run for president, or think of being 'crazy' as being off the track, or that the mind is wandering off, imagine that free drawing is like a line going for a walk without a goal (2) and picture free drawings produced from calling upon different image schemas and executed with variable levels of control and how this conflation of image schemas and free drawing opens up a space where thinking and drawing engage in a kind of dynamic and excited productive mutualism the art [try writing rules that activate different schemas ] the disclosure of secrets (trigger) |
draw a straight line (overcoding) contamination and [compartmentalization ] for scanners a phase portrait gallery (2017) : PDF For Scanners zine (a 'phase portrait' is not a portrait of a person. a phase portrait is a portrait of a state. in this case, a phase portrait is the portrait of a state that is the outcome of a sequence of actions. the gallery represents different states that can be read as image schemas of a continuous drawing program in time ) notes (1) mark johnson; the body in the mind (1990) (2) paul klee; pedagogical sketchbook (1925) |
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zines, sounds, marc van elburg 016 |