Marc van Elburg
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free drawing in the theory of embodied cognition a so- called 'image schema' is a recurring, dynamic pattern of motor programs and perceptual interactions. (1) for example when you draw a straight line between two points; the combination of the motor program that moves the hand and the spatial information from the eye are memorized as a single source-path-goal schema the structure of such a schema can also be used to reason about events and actions. in case of a source-path-goal schema a person might- reason towards a conclusion, run for president, or think of being 'crazy' as being off the track, or that the mind is wandering off, imagine that free drawing is like a line going for a walk without a goal (2) and picture free drawings calling upon different image schemas executed with variable levels of control and how this conflation of image schemas and free drawing opens up a space where thinking and drawing engage in a kind of dynamic and excited productive mutualism the art [try writing rules that activate different schemas ] the disclosure of secrets (trigger) |
draw a straight line (overcoding) contamination and [compartmentalization ] for scanners a phase portrait gallery (2017) : PDF For Scanners zine (a 'phase portrait' is not a portrait of a person. a phase portrait is a portrait of a state. in this case, a phase portrait is the portrait of a state that is the outcome of a sequence of actions. the gallery represents different states that can be read as image schemas of a continuous drawing program in time ) notes (1) mark johnson; the body in the mind (1990) (2) paul klee; pedagogical sketchbook (1925) |
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zines, sounds, marc van elburg 016 |